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<p>
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<p>
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So, why was I in awe with this Minolta? Well, I knew you could take pictures without power, but I didn't
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So, why was I in awe with this Minolta? Well, I knew you could take pictures without power, but I didn't
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know you could have a camera as sophisticated as the SRT-101 work fine without power. Except for the
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know you could have a camera as sophisticated as the SRT-101 work fine without power. Except for the
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lack of automatic speed selection, it had every single feature my father's Pentax P30n. It felt like as
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lack of automatic speed selection and detection of the film roll's ISO sensitivity, it had every single
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if I had some piece of alien technology between my fingers, which I had stolen from a time and place
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feature my father's Pentax P30n. It felt like as if I had some piece of alien technology between my
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where things we couldn't even imagine were possible.
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fingers, which I had stolen from a time and place where things we couldn't even imagine were possible.
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</p>
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</p>
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<p>
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<p>
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The discussion with Sara turned then swerved towards the Minolta. Sara told me about how the SRT-101 was
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The discussion with Sara turned then swerved towards the Minolta. Sara told me about how the SRT-101 was
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<p>
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<p>
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I was instantly sold on the Minolta, which has become my workhorse ever since.
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I was instantly sold on the Minolta, which has become my workhorse ever since.
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</p>
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</p>
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<h3>
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When new is not better
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</h3>
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<p>
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Now that I've delivered my long rant on how I fell in love with my Minolta and it's simplicity,
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I want to jump into the lesson that I learned from this whole story. Well, actually, I don't think
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I've strictly learned it from the Minolta only, but from many other similar situations when dealing
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with human engineered things. The Minolta is probably just an incredible example.
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</p>
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<p>
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The lesson is simply that new technology and features are not always better. Just like there is no
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silver bullet for complexity, there is no silver bullet for adding fancy stuff into a camera without
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sacrificing something. And I want to argue that not all of the combinations in the feature
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richness/complexity spectrum make sense.
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</p>
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<p>
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Let me focus on the example of my two cameras. Again, the features that the Pentax provides and the
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Minolta doesn't are (1) detecting automatically the sensitivity of the film roll and (2) having an AUTO
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mode for the shutter speed, which adjusts itself to the aperture and film sentivity to get the right
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amount of light.
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</p>
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<p>
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The Minolta doesn't detect the film itself. Instead, this is solved by... you setting it. This is done
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in a second by simply adjusting it on the same wheel where you select the shutter speed.
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</p>
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<hr>
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<hr>
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<p><a href="../index.html">back to home</a></p>
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<p><a href="../index.html">back to home</a></p>
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